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Black Panther Movie is Epic for House Negroes it will go right over their Head

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Black Panther is an epic that every African American must go see. I never thought I’d ever see a Hollywood movie that goes over the heads of white people, but the latest Marvel film does the trick. Black Panther speaks in a code only black revolutionary minds can understand.

It’s deep because it shows the world what Africa, the motherland, is supposed to be had it not been raped and pillaged by white conquerors. The fictional country of Wakanda — where the title character, T’Challa aka The Black Panther, reigns as king and protector — gives audiences a window into what black power can achieve through the natural resources at its disposal. Wakanda is a technologically advanced society thanks to vibranium, a precious metal that absorbs sound waves and other vibrations that makes it stronger. T’Challa’s father T’Chaka, who discovered vibranium, makes Wakanda invisible to the outside world in order to protect his country’s immensely valuable natural resource.

The movie’s conflict centers on T’Challa’s struggle for power against Erik Killmonger, a by-any-means-necessary revolutionary who wants to use Vibranium to go to war with white people for oppressing blacks in America. Killmonger represents the fed-up iD of the black diaspora kept down for centuries through slavery, Jim Crow laws, segregation, lynchings, disproportionate conviction and incarceration rates and drug-and-gang-related violence. T’Challa wants to use his country’s most valuable resource for more altruistic purposes.

Vibranium could easily be a metaphor for diamonds, the most precious stone in the world that has been mined in the Dark Continent to the detriment of the African people for ages. If Africans could have isolated themselves from the rest of the world, African nations would be the true global powers.

It’s no coincidence The Black Panther comic book character was created in 1966, at the height of the Civil Rights movement. The movie version is breaking down stereotypes too. It’s the first major film in which black people aren’t portrayed as suffering slaves, dope dealing gang bangers, or the house negro in Django Unchained.

I can’t wait for the sequel

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